Photo of the Day: St. Peter’s Basilica, Rome (Bernini’s baldacchino
below Michelangelo’s dome)
Why we Travel?
For me, architecture is primarily an experiential art. We
understand spaces and places through our bodily experiences of them. We measure, record, and interpret the spaces
we encounter by our movement through space and with our senses. The
art of architecture is experienced through our bodies, and seared in our
memories by firsthand experiences of spaces and places.
Contemporary culture is extremely imaged based, and while I
too enjoy the proliferation of the “image” of architecture spread worldwide by
blogs like this and other media platforms, nothing can replace the firsthand primary experience of place. It
thrilled me that several students on our visit to St. Peter’s commented on how
they really did not fully understand the spatial characteristics of the
basilica until they experienced it firsthand.
They commented that learning about the building through slide lectures
in their intro architecture course at COD did not sufficiently prepare them for
the grandeur and scale of the space. And
really how could it? How could we
possibly expect that a student truly understand the spatial qualities of St.
Peters from a book, or a slide in a lecture course. The truth is that nothing can really prepare
you for the spatial awesomeness of the central nave at St. Peter’s. The only way to really understand it to experience
it, move through it, and “measure” the space, volume, scale and quality of light
through sensory perception.
So as a student of architecture (and I still consider myself
to be one), we travel to learn. We travel to understand significant places and spaces
through firsthand sensory experience. We
travel to understand spaces as we move through them, and to imprint this understanding
of space in our memories. These memories
become a part of us as designers, and ultimately influence the way we
understand the world and respond to it creatively.
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